By Ludovico Ariosto,Guido Waldman
is a kaleidoscope of scenes and feelings of truth and fantasy.
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`I sing of knights and women, of affection and palms, of courtly chivalry, of brave deeds. ' So starts Ariosto's Orlando Furioso (1532), the end result of the chivalric legends of Charlemagne and the Saracen invasion of France. it's a brilliantly witty parody of the medieval romances, and a becoming monument to the courtroom society of the Italian Renaissance which gave them delivery.
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Orlando Furioso (Oxford World's Classics) by Ludovico Ariosto,Guido Waldman