By M. Tomko
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`I sing of knights and girls, of affection and palms, of courtly chivalry, of brave deeds. ' So starts Ariosto's Orlando Furioso (1532), the end result of the chivalric legends of Charlemagne and the Saracen invasion of France. it's a brilliantly witty parody of the medieval romances, and a becoming monument to the court docket society of the Italian Renaissance which gave them beginning.
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First released in 1981. A Concordance to the Poems of John Keats meant to supply the person with a quantity appropriate to the various and more and more specialized pursuits of scholarship. This identify deals a excessive measure of inclusiveness that attends to the poems and performs, the emended and authoritative headings, and nearly the entire variation readings thought of considerable within the riches of the Keats manuscript fabrics.
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Extra info for British Romanticism and the Catholic Question: Religion, History and National Identity, 1778-1829
British Romanticism and the Catholic Question: Religion, History and National Identity, 1778-1829 by M. Tomko